Visages d'enfants (1923) Director: Jacques Feyder ★★★★★ "The Faces of Children" is a simple and beautiful film. It is a French-Swiss pastoral movie that takes place amidst the incredible landscape of the village of Saint-Luc in the mountainous Haut-Valais region of Switzerland. It is a psychological exploration, remarkably complex for the time, and it tells … Continue reading Visages d’enfants
silent
The Hunchback of Notre Dame
The Hunchback of Notre Dame (1923) Director: Wallace Worsley ★★★☆☆ The Hunchback of Notre Dame presents a mix of gothic horror at the sight of Quasimodo, as well as pity for the underclass of medieval Paris. The sets are extraordinary and Lon Chaney "The Man of a Thousand Faces" delivers a terrific performance, much like his … Continue reading The Hunchback of Notre Dame
Foolish Wives
Foolish Wives (1922) Director: Erich von Stroheim ★★☆☆☆ I recently attempted to finish watching Foolish Wives (1922), and it is a monumental task, even for a silent film. It lasts nearly 2.5 hours long, and the plot is vague, slow, and wandering. It tells the story of a man who dubs himself a Count in order … Continue reading Foolish Wives
Der Golem, wie er in die Welt kam
Der Golem, wie er in die Welt kam (The Golem: How He Came Into The World) (1920) Director: Paul Wegener, Carl Boese ★★★★☆ The Golem is a visually stunning film: its scenes are impressive, particularly the set designs. It beautifully captures an old European-Jewish ghetto while the terrible golem creature is fearsome and unpredictable, however, … Continue reading Der Golem, wie er in die Welt kam
The Mark of Zorro
The Mark of Zorro (1920) Director: Fred Niblo ★★★★☆ The Mark of Zorro is a surprisingly impressive film. It stars the great silent-era hero, Douglas Fairbanks, and it was the first in a long series of Zorro films extending to the present day. It was the first film released by United Artists (Chaplin, Pickford, Fairbanks, and … Continue reading The Mark of Zorro
Charlie Chaplin’s First National Films
In 1917-1918, Charlie Chaplin was seeking more independence and greater creative license over his films, which he believed were becoming too stagnant and predictable. His relationship with Mutual ended amicably, and he signed an eight-film contract with First National. His years with First National would prove to be some of the most important in his … Continue reading Charlie Chaplin’s First National Films
