L’age d’Or (1930) Review

L’age d’Or (1930) Director: Luis Buñuel


One of the first sound films made in France, L’age d’Or or “the age of gold” is a surprisingly compelling surrealist film with a screenplay written by Luis Buñuel and Salvador Dali, a companion of sorts to their earlier film, Un Chien Andalou. It is a strangely Freudian film linked together only by a series of vignettes, connected by similar sexual themes of a woman and a man (never named) trying to consummate their relationship but always prevented from doing so by the repressive mores of various establishment institutions, such as the church, aristocratic clubs, and general bourgeois values.

By the time this film was ready for production Salvador Dali had already fallen out of the project, as it threatened to ruin his career. Conservative activists and the press demonstrated heavily against the film and even went as far as to throw ink at the screen and destroy works of art by Dali in protest. Though I am generally not a fan of the absurd or surrealist movements broadly speaking, I will admit this film is surprisingly charming.