The Story of French Impressionism, Part XI: Georges Seurat and Paul Signac

Georges Seurat (1859-1891) and Paul Signac (1865-1935) are generally associated with "Post-Impressionism" and "Pointillism." Georges Seurat (pronounced "George Sir-rah") was born in Paris. His father grew wealthy from various real estate speculative investments. He studied art as a young man and developed refined sensibilities, as well as mathematical precision in his works. The Suburbs (1882–1883) … Continue reading The Story of French Impressionism, Part XI: Georges Seurat and Paul Signac

Dionysus’s Descent Into Hades In The Frogs

The Frogs is my favorite of Aristophanes's comedies. It is the only Aristophanean comedy to feature a god at the beginning -Dionysus, the god of the theatre, and his slave Xanthias. As they walk, Xanthias is meta-textually concerned with telling jokes that will make the audience laugh, and laughter presupposes some kind of suffering, though the … Continue reading Dionysus’s Descent Into Hades In The Frogs

Aristophanes’s The Birds: A New City in the Sky

Aristophanes The Birds ("Ornithets") is the only comedy written by Aristophanes whose entire action takes place far from the city of Athens. Consequently, the play makes little mention of the circumstances of the Peloponnesian War, or of contemporary Athenian politics. It won second prize at the Dionysia in 414 BC. It is a play about the … Continue reading Aristophanes’s The Birds: A New City in the Sky

The Story of French Impressionism, Part IX: Gustave Caillebotte

Gustave Caillebotte (1848-1894) -pronounced "kye-bott"- was descended from a wealthy military textile family in Paris. His family owned a home in Paris and later bought a larger home south of Paris, as well. Photograph of Caillebotte circa 1878 Caillebotte studied law, and he was also drafted to serve in the armed forces during the Franco-Prussian War … Continue reading The Story of French Impressionism, Part IX: Gustave Caillebotte

The Story of French Impressionism, Part VIII: Paul Cézanne

Paul Cézanne (1839-1906) is sometimes categorized as a "Post-Impressionist" painter by latter-day more sophisticated scholars of art history. In the same way that Manet is sometimes viewed as a bridge between "realism" and "modernism," Cézanne is sometimes viewed as a bridge between late Impressionism and other modernist movements, like Cubism. Both Matisse and Picasso are said … Continue reading The Story of French Impressionism, Part VIII: Paul Cézanne

The Story of French Impressionism, Part VII: Edgar Degas

Edgar Degas (1834-1917) (pronounced "day-dahs" but in later life he changed the pronunciation to "day-gah") never wished to be called an "Impressionist" instead preferring to be called a "Realist." In his paintings he was obsessed with motion, particularly of dancers, which occupied nearly half of his works. Degas was raised in an upper middles-class family. … Continue reading The Story of French Impressionism, Part VII: Edgar Degas