Black Swan (2010) Director: Darren Aronofsky
Director Darren Aronofsky called this the natural counterpart to his other film about artistic perfection also released in 2010, The Fighter. The story for the film is based on an original story by Andres Heinz, one of the screenwriters.
The film stars Natalie Portman and Mila Kunis in a plot focused on the deeply psychological struggles faced by ballet dancers fighting to achieve notoriety and perfection during a New York City performance of Tchaikovsky’s Swan Lake. The lead ballerina (Portman), our main character, has hallucinations of sexual encounters, and begins self-harming without realizing it. She plays the White Swan, and is countered by the other lead ballerina who plays the Black Swan. In the end, she fabricates a scene in which she breaks a mirror and stabs the Black Swan with a shard, only to find she has stabbed herself (i.e. she kills herself for perfection). She delivers a flawless performance and passes out at the end as the staff rush to find medical help.
Natalie Portman delivers an excellent performance of a complex, and perhaps mentally ill character in the film. It was nominated for five Academy Awards.
In its attempt to be profound and intellectual, it winds up being an extremely heavy and darkly psychological film. I am left asking myself: what is at stake in the film, and what is gained by watching it? Perhaps nothing other than a rekindled appreciation for the trials faced by prima ballerinas on the world’s biggest stage. The film certainly stands out as unique in an era filled with all-too-commonplace films. This is not a film I would soon return to again.