The King’s Speech

The King’s Speech (2010) Director: Tom Hooper


A film poster showing two men framing a large, ornate window looking out onto London. Colin Firth, on the left, is wearing as naval uniform as King George VI, staring at the viewer. Geoffrey Rush, on the right, is wearing a suit and facing out the window, his back to the reader. The picture is overlaid with names and critical praise for the film.

The King’s Speech was initially conceived of by writer, David Seidler, to be perhaps a stage production. He later converted it into a script for a film, but was asked by her majesty, the Queen Mum, not to make it into a movie until after her death (in 2002).

The film tells the story of the soon-to-be King George VI or “Bertie” (Colin Firth) prior to his kingship, as he struggles with a speech impediment -namely stuttering. He goes to visit Lionel Logue (Geoffrey Rush) who plays classical music for him through headphones, while he successfully completes Hamlet’s famous soliloquy. The plot follows the brief ascendance of Edward VIII, his playboy brother who accedes the throne in order to marry his loose American lover. Bertie’s and Lionel’s relationship remains rocky and skeptical, but the crescendo of the film occurs when King George VI must declare war over the radio on Nazi Germany in 1939. Archbishop of Canterbury Lang, Winston Churchill, and Neville Chamberlain are all present for the speech, as is Logue, who remains the loyal supporter to the speech of the King throughout his lifetime, until the King’s death from lung cancer in 1952. Notably, the speech is not a glamorous Hollywood ending, as the King still stammers his way through the speech at times.

At a young age, the writer of the story, David Seidler, drew upon an interest and inspiration from George VI. Seidler, too, struggled with a stammer but he had a hard time finding solid information on Logue. He contacted Logue’s surviving daughter who agreed to let Seidler pour over her father’s notebooks if the Queen Mum allowed it. She asked him not to do so during her lifetime.

Some, like Christopher Hitchens, criticized the film for not portraying the era’s desire for appeasement with Nazi Germany, and also for under-reporting the role Winston Churchill had in the abdication of Edward VIII, encouraging him to remain. To be sure, the film takes certain necessary artistic licenses, though nothing grand or revisionist, per say.



The film is incredible -meticulously detailed, filled with complex characters in a fairly simple plot, historically accurate, but too not self-indulgent. It is a marvelous film, deserving of its Academy Award for Best Picture.

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