From Russia With Love

From Russia With Love (1963) Director: Terence Young

The upper centre of the poster reads "Meet James Bond, secret agent 007. His new incredible women ... His new incredible enemies ... His new incredible adventures ..." To the right is Bond holding a gun, to the left a montage of women, fights, and an explosion. On the bottom of the poster are the credits.

The second James Bond film was again directed by Terence Young (he was the director of several early Bond films). After the tremendous success of 1962’s Dr. No, United Artists quickly pushed for a sequel to be released, and the film was rushed to completion by October 1963. Ian Fleming’s novel of the same name was his fifth Bond novel, actually preceding the novel for Dr. No (and he thought it might be his last at the time). He wrote it at his “Goldeneye” estate in Jamaica. His typical writing pattern was to write for three hours in the morning, and then again for an hour in the evening. He never looked back at what he wrote or did much editing prior to finishing the book, and that way he could write about 2,000 words per day. It was only after the book was complete that he went back and edited the text. The novel was published in 1957. President John F. Kennedy once named the novel in his top ten of all time (as published in Life magazine). It was also the last film President Kennedy saw at the White House before he left for Dallas and was then tragically killed.

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The story is a Cold War classic. The film opens at a vast estate – Bond is on the run through at night through a hedge maze until he is attacked and caught by “Red Grant” an assassin employed by the criminal organization known as SPECTRE (called “SMERSH” in the novels). The training grounds for SPECTRE in the film were inspired by the set of Spartacus. The lights come up and we learn this is merely a drill, with a man in a mask pretending to Bond in a training exercise. A global chess master and top leader at SPECTRE (named Kronsteen but called “Number 5”) has devised a plan to steal a Lektor (ironically called “spekter” in the novel), a cryptographic machine, from the Soviets and sell it back to them while luring and taking revenge on Bond and MI6 for killing their agent, Dr. No. The Chief Executive of SPECTRE (“Number 1” who we later learn is the infamous Ernst Blofield) devises a plot to be led by “Number 3” or Rosa Klebb, a former Soviet military leader. Klebb then hires assassin Grant (from the outset) to tail Bond and then kill him once he has the Lektor device, and she also hires a Soviet clerk from Istanbul named Tatiana Romanava. Back in London, M informs Bond that Romanava has defected but will only defect to Bond. He senses a trap, but he travels to Istanbul anyway. A wild attack scene ensues with the Bulgarians (Bond is saved by a secret sniper shot from Grant) and then Bond and Romanava begin an affair (in which she rapidly falls for him). Bond tails Romanava to the Hagia Sophia and (thanks to Grant killing the Bulgarian operative so that Bond would receive secret plans) Bond takes the secretive consulate plans. In a great train scene, Bond and Romanava escape aboard the Orient Express with the Lektor they have stolen. In a surprise to Bond, the assassin Grant (now undercover on the train) drugs Romanava at dinner on the train and he overpowers Bond. He explains that the whole plot was not a Soviet plot, but rather the plan of SPECTRE. In a somewhat silly and unbelievable move, Bond tricks Grant to open his suitcase which he has booby-trapped. Bond stabs and strangles Grant, and then escapes with a barely conscious Romanava in the getaway car that was supposed to be for Grant.

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Back at SPECTRE, “Number 1” (or Blofield) confronts Klebb and Kronsteen for their terrible failure in the plan. Kronsteen is surprisingly executed on the spot with a poison-tipped switchblade hidden a shoe. Klebb is offered one last chance to redeem herself and recapture the Lektor. Meanwhile, Bond and Romanava are escaping via Grant’s planned escape route. They destroy a helicopter and commandeer a boat off the coast of Croatia and they destroy several SPECTRE boats tailing him in a dramatic boat chase scene. He and Romanava reach a hotel room in Venice, but Klebb suddenly appears disguised as a hotel maid. She tries to steal the Lektor but, still believing Romanava is working with her and the Soviets, Romanava betrays Klebb by shooting her. Bond and Roamanava float away on a romantic gondola, as Bond tosses the intended blackmail film from Grant into the canal.

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The film is notably the first to officially feature Desmond Llewelyn as Q, a role he would reprise for 30+ years in every future Bond film (save for two) until his death at the time of The World Is Not Enough in 1999. From Russia With Love was the second of seven Bond films to star Sean Connery, the greatest of all the James Bond actors. The same actor who played the mischievous R.J. Dent from Dr. No also played the infamous “Number 1” in From Russia With Love. Rumors abound as to a secret cameo of Ian Fleming in the film appearing outside the train in a grey sweater, as he once visited the set and saw the Orient Express. The theory has never been confirmed nor denied. Apparently, Alfred Hitchcock was originally considered to direct the film, but after Vertigo tanked at the box office, they looked elsewhere. There is an amusing underground fan theory that Daniel Craig’s portrayal of Bond is actually Red Grant reborn (based on their similar blond appearance).

Review

★★★★☆

The plot is difficult to track at times with the competing narratives of MI6, the Soviets, and all the double-crossing between them and the secret organization known as SPECTRE. However, From Russia With Love is a wild and entertaining Bond film, one of the best of all time. In the film, we only see the back-side of “Number 1” or Blofield as we learn in later films, the infamous, cat-petting Bond villain and executive of SPECTRE who is satirized as Dr. Evil in Mike Myers’s Austin Powers series. Critically, From Russia With Love is often considered the best, or at least one of the best Bond films of all time, along with Goldfinger and Dr. No. It is rumored to be Sean Connery’s favorite Bond film.

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