1930 Pulitzer Prize Review: Laughing Boy by Oliver La Farge

Oliver La Farge (1901-1963) was an anthropologist whose research focused primarily on Southwestern American Indian communities, particularly the Navajo. La Farge was an activist, a scholarly writer, and he also wrote short stories published in The New Yorker and Esquire. By far his most recognized novel has been the Pulitzer-Prize winner, Laughing Boy published in 1929. A year after winning the Pulitzer, La Farge had a son, Peter La Farge, who eventually became a famous activist folk singer. Unfortunately, Oliver La Farge’s marriage fell apart soon thereafter, but he maintained a close relationship with his son all his life. Ever a lover of the American Southwest, Oliver La Farge died in Santa Fe, New Mexico in 1963 at the age of 61.


Laughing Boy is a surprising twist in the road for the early Pulitzer Prize-winners. It is a novel about the struggles of the Navajo people in the early 20th century, told through the voices of two Navajo Indians: our protagonist “Laughing Boy,” who is named for an amusing incident when he was a young man, and his paramour “Slim Girl” (her original tribal name was “Came With War”). They meet at a dance one evening and quickly strike up a romance. However, their relationship is a complicated tapestry. Laughing Boy is raised in a traditional Navajo household, while Slim Girl has been taken away and educated by the white Americans. Laughing Boy envies her worldliness, but Slim Girl longs to return to her people, she constantly feels like an outsider. Both characters struggle to find a place where they belong while the Navajo way of life is under the ever-present threat of American encroachment. In some ways, the duality of the two main characters showcases what W.E.B. Dubois called “double consciousness” –they are both aware of their own culture, yet also aware that they do not belong. They are both Indian and American at the same time, and yet strangers to these identities.

Laughing Boy and Slim Girl are soon married, but the marriage is more of an elopement. The traditional people of the tribe do not approve of Slim Girl, so Laughing Boy runs away with her to live near the Americans. He becomes a craftsman, and she a weaver, however she is also hiding a dark secret. She has been moonlighting as an escort for Americans (whom she despises). The Americans bring with them trains and whiskey, a fiery drink that is like poison for the Indians. Laughing Boy simply does not belong among the white people. Meanwhile, on their return trips to the Navajo community, Slim Girl also feels out of place because she was not raised among the customs of the Navajo.

Spoiler Alert: The underlying anxiety of the novel is Slim Girl’s dark secret –that she has been working incognito as a prostitute– and we are left wondering when Laughing Boy will discover the truth. The idea of the novel is predicated on the audience having this dark foreknowledge, an exercise in dramatic irony. One day, Laughing Boy does find out. He walks past an adobe window in town and sees his wife with a man. When discovered, the man runs off but Laughing Boy shoots an arrow through his shoulder, and Laughing Boy also pierces Slim Girl’s arm. When she returns home she tells Laughing Boy the whole story –of how she was raised with the Americans, and one man feigned love in order to sleep with her, but when she became pregnant, he abandoned her, and the “Jesus Trail” (the Christian Church) wholly outcasted her for being a sinner. Slim Girl’s baby then died in pregnancy and the only people who accepted her were the local “bad girls” (prostitutes) so she joined them and learned their ways. Before long, Slim Girl became an escort for one American man from the East who now financially supports her. After hearing her full story, Laughing Boy thinks for a while. He decides to remain together despite it all. They make plans to blissfully build a new home for themselves in the remote southwest, closer to the Navajo people where they will start a family. En route, “Red Man” ambushes them (Red Man is an American who is envious of Slim Girl’s love for Laughing Boy). He shoots and kills Slim Girl, leaving Laughing Boy to sorrowfully bury her in a canyon alone. It is a somber and tragic end to the tale. After he buries Slim Girl, Laughing Boy stumbles upon another big dance of the Navajo, similar to the dance where he first met Slim Girl years before. Thus concludes the novel.

La Farge’s insights into the nature of marriage, his presentation of the organic Navajo songs, and his depiction of the vast beauty of the American southwest is powerful. The reader leaves with a newfound appreciation for the Navajo people and their land. One cannot help but find sympathy in reading this novel, in spite of the fact that it is assuredly an amateurish work, especially when considering it won the Pulitzer Prize in 1930 against superior novels like Ernest Hemingway’s A Farewell to Arms and William Faulkner’s The Sound and the Fury.

The following passage is why Laughing Boy won the Pulitzer (it describes Laughing Boy shortly after his marriage to Slim Girl):

“Time passing and corn growing cannot be seen; one can notice only that the moon has become so much older, the corn so much higher. With a new life almost more regular than the old, yet far more thrilling, with a rich supply of silver and choice turquoise, with horses to trade and a cornfield to care for, and all the world made over new, time for Laughing Boy went like a swift, quiet river under cottonwood trees. For him, life – which had never been a problem – was solved and perfected, with none of Slim Girl’s complication of feeling that such happiness was too good to last. Had he sat down to T’o Tlakai to compose a song of perfection, he could not have imagined anything approaching this” (opening words of Chapter IX, page 112).

About The 1930 Pulitzer Prize Decision
After controversies in prior years, including 1929’s debacle in which Richard Burton (of the novel jury) apparently released the unapproved winner early, Richard Burton departed his role the following year and the Novel Jury then settled on a three-man group that would judge the award winners for years to come: Albert Paine, Mark Twain’s literary executor and author of Twain’s biography, Robert M. Lovett, and Jefferson B. Fletcher. Each man supported a different novel. Fletcher supported Laughing Boy, Lovett supported Mary Lee’s It’s a Great War, and Paine supported Thomas Wolfe’s Look Homeward, Angel. Ultimately they settled on Laughing Boy, but still made their preferences public, perhaps as a slight to the Pulitzer Board which had sometimes overturned the recommendations of the Novel Jury in delivering the awards.

  • Jefferson Butler Fletcher (1865-1946) was born in Chicago, served in the American Field Ambulance Services during World War I, and educated at Harvard and Bowdoin College. He was a long-serving professor of Comparative Literature at Columbia University (from 1904-1939). He was considered a foremost expert on the Italian Renaissance and Dante, and in his obituary in The New York Times, it was noted that he served on the Pulitzer Novel Jury for “several years.” Sadly, his son died in an automobile accident in 1926, and Fletcher also had a daughter.
  • Robert Morss Lovett (1870-1956) was a Bostonian who studied at Harvard. He taught literature at the University of Chicago for many years, he was associate editor of The New Republic, served as governor secretary of the Virgin Islands, and was a political activist –he was accused of being a communist by the Dies Committee which forced him out of his secretary position. He was often on the frontlines of left-leaning picket lines, and helped launch the careers of several young writers, including John Dos Passos. In later years, his wife became a close friend and associate of Jane Addams and the couple lived at Hull House for a spell.
  • Albert Bigelow Paine (1861-1937) was born in Bedford, Massachusetts and grew up throughout the Midwest. He worked as a photographer and became a full-time writer living in New York and abroad in Europe. He became friends with Mark Twain and served as Twain’s biographer and also wrote travel books, novels, and children’s stories. In France, he wrote two books abut Joan of Arc which earned him the title of Chevalier from the Legion of Honour.

Laughing Boy was made into a somewhat forgettable film in 1934, directed by W.S. Van Dyke.

Background on the Navajo Indian Nation
The Navajo are one of the great native nations of the American southwest. They reside in Northern Arizona and New Mexico. As a group, the Navajo are believed to have migrated to the Southwest around 1400 from the Alaska/Canada region (and they are likely connected to the Apache, as well). The Navajo oral tradition of songs and story-telling reflect this migration. The Navajo sometimes referred to themselves as the “Diné” (meaning “the people”). Their earliest recorded dwellings existed east of the San Juan River, the extended river that begins in Colorado and flows into the Colorado River in Utah.

The Navajo were a hunter-gatherer group, until they had contact with the ‘Pueblo” tribal group and the Spanish when the Navajo learned to farm and grow corn. The pueblo sought shelter with the Navajo when the Spanish came. When the Spanish came, the Navajo learned to train horses and raise sheep. The Navajo formed a loose alliance with the Spanish and Hopi (between intermittent conflicts) to fight the more violent and aggressive Apache and Comanche tribes from the plains to the north. The Navajo first had contact with the United States during the Mexican-American War in which the United States invaded Santa Fe. The Navajo did not honor a peace treaty with the United States, and after the war, another peace treaty was set to be signed, but famed Navajo leader, Nabona, was killed en route to the signing in 1849. This led to longstanding hostilities. Despite a treaty not being signed, the United States built forts on ancestral Navajo land as a “precaution,” while New Mexico militias, including one led by Colonel Kit Carson that terrorized and raided Navajo villages. In a move reminiscent of genocidal policies in the 20th century, in 1863 the Navajo were systematically attacked, rounded up, and relocated to a barren desert land called “Bosque Redondo.” This process was sometimes called the “Long Walk.” 9,000 Navajo were forced to march to a remote region of the desert with minimal water and supplies -many died of disease, malnutrition, and some simply froze to death in the winter. Internal conflicts ensued when Apaches were also relocated to the same region (Apache and Navajo were enemies). In 1868, a treaty was signed allowing Navajo to return to a federally designated reservation. This reservation remains today one of the largest in the United States

Today, the Navajo are the second most populous Indian nation in the United States.

La Farge, Oliver. Laughing Boy. Boston, Houghton Mifflin Co., Cambridge, Riverside Press, 1929.

Click here to return to my survey of the Pulitzer Prize Winners.

3 thoughts on “1930 Pulitzer Prize Review: Laughing Boy by Oliver La Farge

  1. Hello. You need to correct the summary. Spoiler alert. Red Man was not Slim Girl’s American lover. He thus does kill her when he shoots three shots from his rifle but he is jealous of laughing boy and slim girl because Red Man never got to sleep with her


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