In his prologue, the Friar is called a "beggar" with a "scowling face at the Summoner." In the "General Prologue" the Friar is characterized as a "wantowne" and "merye" man who dwells within an assigned region. He has a white neck like a 'lily flower,' and he knows great dalliance and fair speech. He is … Continue reading Intentionality in The Friar’s Tale
poetry
The Story of Jerome’s Vulgate
Eusebius Hieronymus Sophronius, or "Jerome," is likely the most significant Biblical translator in history. He was born in northeast Italy in 345, and by the time he was 29, Jerome had become a devout and ascetic Christian. He claims to have had a dream chastising him for being a follower of Cicero, not of Christ. … Continue reading The Story of Jerome’s Vulgate
What is Love in the Symposium?
Plato’s famous dialogue, the Symposium, takes place the day after the tragic poet, Agathon, wins his first and only award at the Lenaia in 416 BC, the year before Alcibiades’s failed quest to Sicily. The dramatic setting occurs among a group of Athenians gathered at Agathon’s house in Athens to celebrate his victory. The party is … Continue reading What is Love in the Symposium?
Aristotle, Oedipus, and Greek Tragedy
There has been a longstanding debate, dating back to Aristotle, regarding the purpose, or telos, of a tragedy, and whether or not the "tragic" element is the result of is the result of a unique or particular character flaw stemming from the central protagonist. In other words, is Oedipus, indeed, a flawed human being who has brought about … Continue reading Aristotle, Oedipus, and Greek Tragedy
Oedipus and Greek Tragedy
Often in ancient Greek tragedy we find protagonists committing the sin of hubris, extreme pride or arrogance. Recall in Aeschylus's Agamemnon that Agamemnon returns home with a stolen concubine from Ilium, and also he fails to foresee the extent to which Clytemnestra holds a grudge against his decision to sacrifice Iphigenia. In another case, consider the … Continue reading Oedipus and Greek Tragedy
Thoughts on Aeschylus
Agamemnon, the first play of the Oresteia trilogy begins much like other great plays, such as Hamlet, on the walls of the city with a a lone watchman who bemoans the state of affairs, waiting for a light showing that Agamemnon, his king, is returning home from the Trojan War. Upon spotting the foreboding beacon, he … Continue reading Thoughts on Aeschylus
